153 results where found for «That General»


Under my Skin (A flor de piel)

Music piece by:
Julio Iglesias
Testimony by:
César Montiel
Experience in:
Colonia Dignidad, April 1975
« At the beginning of the 1970s, I met Carmen, my comrade, my love, at the Juventudes Comunistas of Talca. We had the life of young idealists, sharing our everyday, living this revolutionary process so beautifully. »
[...]
« For that love that you give me »
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Trim the Sails (Brazas a ceñir)

Music piece by:
Luis Mella Toro
Testimony by:
César Montiel
« The Navy sailors made us sing every day, when we got up very early to raise the flag. We, as the squaddies, had to sing military songs, their songs. »
[...]
« that sets us forth swiftly. »
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El bimbó

Music piece by:
Georgie Dann
Testimony by:
César Montiel
Experience in:
Colonia Dignidad, April 1975
« I have a story about 'El bimbó', a song that shaped us in those difficult moments in Colonia Dignidad. It was a song with a tropical rhythm that was very trendy in the 1970s. It was played every day on the radio. Also on Eurovision, in European festivals, and on the TV programme 300 Million. »
[...]
« with that melody that goes »
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Song to the Pampa (Canto a la pampa)

Music piece by:
poem by Francisco Pezoa Astudillo set to music by Quilapayún
Testimony by:
Renato Alvarado Vidal
Experience in:
« The first song that we managed to sing was Quilapayún's setting of the poem Canto a la Pampa (Song to the Pampa), by the anarchist poet Francisco Pezoa Astudillo, which recounts one of the bloodiest episodes of the class struggle in Chile: the massacre of the Santa María school in Iquique in December 1907. The prisoners of the large Room 13 of Cuatro Álamos camp sang it complete and as a chorus around February 1975. »
[...]
« that never dresses in greenery »
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Filistoque's Cueca (Cueca del Filistoque)

Music piece by:
Víctor Canto Fuenzalida (lyrics), Efraín Navarro (music)
Testimony by:
Víctor Canto Fuenzalida
Experience in:
« Filistoque is a real-life person in all his mighty height (1.90 metres tall). I always remember him laughing. In Chacabuco, we shared a house for nearly ten months. Around him, you were never allowed to become depressed or get into a stew over our situation. »
[...]
« He radiated happiness and optimism. And even though he was aware that the issue would continue to trouble us, he never stopped talking about the commissions and prosecutors who would be processing our cases. He projected this optimism even beyond the prison camp fences. »
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The Little Cigarette (El cigarrito)

Music piece by:
Víctor Jara
Testimony by:
Alfonso Padilla Silva
Experience in:
« During Christmas 1973, I was one of some 600 men and 100 women prisoners in Concepción Regional Stadium. »
[...]
« Accompanying ourselves on that guitar, many political prisoners, men and women, sang either as soloists, in duos or in groups. I played Victor Jara’s song 'El cigarrito'. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« 'What is that?' I asked as I descended the stairs. »
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Dreams of my Imprisonment (Sueños de mi encierro)

Music piece by:
Mario Patricio Cordero Cedraschi
Testimony by:
Mario Patricio Cordero Cedraschi
Experience in:
Cárcel de Valparaíso, Winter of 1975
« I’d spent two years in prison and there was no end in sight for my time in jail. I observed during visiting hours that many prisoners had children, a wife, family. »
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From the Poplars I have Come, Mother (De los álamos vengo, madre)

Music piece by:
Juan Vásquez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« Los de Chacabuco, a band created and conducted by Ángel Parra, performed this traditional Spanish song at the Chacabuco concentration camp. »
[...]
« This is one of several Spanish Renaissance songs the group included in its repertory, unlike other songs that originated from Chilean or Latin American folk traditions. »
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Futuristic Anthem (Himno futurista)

Music piece by:
unknown
Testimony by:
Patricio Polanco
Experience in:
« In 1973 and 1974, Pisagua was characterised by the harsh and cruel treatment of political prisoners. Singing was mandatory for prisoners, who were guarded by Army platoons, and it was also a means to avoid beatings and collective mistreatment. »
[...]
« The repertory consisted of approximately 35 military anthems from all branches of the Armed Forces. To these military songs, we added a few songs or anthems that became a form of resistance and asserting our dignity, albeit not explicitly. The lyrics shown below sometimes varied a bit, but this became the anthem most sung by prisoners at the Pisagua concentration camp. »
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